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Answer

Japan

About the Company

Brand Overview

  • Name: Answer

  • Country: Japan (based in Tokyo)

  • Product Type: Consumer reel-to-reel tape recorders

  • Era of Production: About 1960 – 1963

  • Electronics: Vacuum tube (tube)-based designs typical of early consumer recorders of that period

  • Market Focus: Home users, not professional studios

According to collector registries and vintage tape deck directories, Answer produced a very small number of reel-to-reel recorders before disappearing from the market.



Known Model

Answer ATR-102

  • Years Produced: circa 1960 – 1963

  • Format: Full-track mono (tube electronics)

  • Tape Speed: 1 7/8 ips

  • Reel Size: Up to 7″

  • Head Configuration: 2 heads (erase and record/playback)

  • Market: Consumer/home tape recording and playback machine

  • Notes: Often described as a novelty or low-volume product rather than a mainstream hi-fi deck

The ATR-102 is the only model reliably attributed to the Answer brand in vintage reel-to-reel listings. It was marketed as a general-purpose home recorder and commonly combined basic tape functions with other audio features (such as radio or phonograph on some units), reflecting the multi-function consumer gear of that time.



Production History & Context

  • Early 1960s Launch: Answer began producing its tape decks around 1960, entering a crowded consumer market where Japanese firms were increasingly exporting audio gear.

  • Short Production Run: The brand seems to have ceased reel-to-reel production by about 1963, with no further models widely recorded in collector references.

  • Obscure Footprint: Unlike larger Japanese companies such as TEAC, Akai, or Denon, Answer did not develop a broad model lineup, professional products, or international reputation. Its products are now rare curiosities in vintage audio collections.


Why It Matters


Although Answer didn’t become a major name in analog audio, its existence illustrates how vibrant and experimental the early 1960s reel-to-reel market was in Japan — with many small firms trying to capitalize on the format’s consumer boom. Most such brands vanished quickly as competition intensified and as cassette formats later took over the market.

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