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Dejur

USA

About the Company

There’s very little documented history about a reel‑to‑reel tape deck manufacturer called Dejur — and current authoritative sources don’t list “Dejur” as an established, standalone reel‑to‑reel brand with a continuous production history like Akai, TEAC, Uher, etc. What does appear in historical records is that:



DeJur Was Associated with Tape Recorders

  • Equipment labeled DeJur or DeJur‑AMSCO did exist and shows up in vintage equipment catalogs and registries (e.g., a DeJur TK‑820 recorder attributed to DeJur, DeJur‑AMSCO of Long Island City, NY, likely from the mid‑ to late‑1950s).

  • The DeJur name also appears in association with portable tape recorders of the 1960s, including a DeJur‑Grundig branded portable dictation machine — though that specific unit used its own proprietary tape cartridge format, not a standard open‑reel system.


DeJur Was Not a Major Reel‑to‑Reel Manufacturer


Unlike larger reel‑to‑reel producers, there is no clear evidence that “DeJur” represented a company that designed and marketed a full line of open‑reel tape decks over many years. Instead:

  • The DeJur label seems to have been used on some standalone tape recorders (e.g., the TK‑820), possibly made by or for DeJur‑AMSCO, a small U.S. electronics firm operating in the 1950s.

  • Later references (such as DeJur‑Grundig products) reflect brand partnerships or rebadged portable machines, but these were not standard reel‑to‑reel tape decks in the consumer hi‑fi sense.

  • The Smithsonian Institution’s catalog describes a DeJur‑Grundig portable recorder using a specialized tape cartridge format, not conventional open reels.



What DeJur Likely Represented


From the available data we can say:

  • DeJur was a small U.S. electronics/recorder brand in the 1950s–1960s that appears on some tape recorders, but did not have a well‑documented manufacturing lineage or broad product lineup the way larger reel‑to‑reel brands did.

  • Known examples (like the TK‑820) are rare and lightly documented, suggesting that DeJur machines were likely low‑volume or transitional products, not widely distributed consumer hi‑fi decks.

  • The link to Grundig on some devices (e.g., DeJur‑Grundig portable recorders) likely reflects rebadging or co‑branding rather than a single continuous DeJur manufacturing operation.

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