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AEG/Telefunken Magnetophon M250

AEG/Telefunken

Germany

AEG/Telefunken Magnetophon M250

Tape Deck Details

Number of Motors

3

Number of Heads

3

Head Configuration

Stereo

Wow & Flutter

0.12%

Signal-to-Noise [dB]

55

Dimensions [mm]

450 × 350 × 190

Weight [kg]

13

Year built

1972–1976

Head Composition

Permalloy

Equalization

IEC

Frequency Response

30–40 Hz – 18,000–20,000 Hz

Speed

1⅞, 3¾, 7½

Max Reel [inch]

7

Tracks

1/4 Rec/PB

Price

User

Consumer

Additional Information

The AEG-Telefunken Magnetophon M250 (also known as Magnetophon 250 or M 250) is a early-to-mid 1970s consumer stereo reel-to-reel tape recorder, produced approximately 1972–1976 (manufactured in Germany by Telefunken under the AEG-Telefunken brand). It was a high-end model in the Magnetophon line during the final years of AEG-Telefunken's consumer open-reel production, positioned as a premium domestic hi-fi deck with full stereo capability, three-head monitoring, three-motor drive, and refined electronics.


The M250 represented one of the most advanced consumer Magnetophon models before the format was largely discontinued in favor of cassettes. It featured a robust portable/tabletop design, excellent tape handling, and integrated stereo amplification—making it a desirable choice for serious home recording and playback enthusiasts of the era.



Key Technical Specifications

  • Recording/Playback System — 4-track (quarter-track), 2-channel stereo/mono compatible; records and plays stereo on tracks 1-4 forward and 3-2 reverse (manual tape flip required); mono compatible; sound-on-sound/multiplay overdub facilities.

  • Tape Speeds — Three speeds:1⅞ ips (4.75 cm/s)
    3¾ ips (9.5 cm/s)
    7½ ips (19 cm/s)

  • Reel Size — Up to 7 inches (18 cm) maximum diameter.

  • Frequency Response (approximate, typical tolerances; varies by tape/condition):At 7½ ips: 30–40 Hz – 18,000–20,000 Hz
    At 3¾ ips: 40 Hz – 15,000 Hz
    At 1⅞ ips: 40 Hz – 10,000 Hz Very good hi-fi extension at higher speeds for a consumer deck of the period.

  • Wow & Flutter — ≤0.10–0.12% at 7½ ips; ≤0.15–0.20% at 3¾ ips; ≤0.30% at 1⅞ ips (excellent stability from three-motor design).

  • Signal-to-Noise Ratio — >55 dB at 7½ ips (strong for transistor era with low-noise tape).

  • Heads — 3 heads: separate record, playback, and erase (permalloy; enables real-time off-tape monitoring/A-B comparison).

  • Drive SystemThree motors (1 × synchronous capstan motor + 2 × reel motors); belt/idler drive to capstan; mechanical or electronic tension control; fast wind/rewind; precise braking.

  • Electronics — Fully transistorized; printed circuit board amplifier.

  • Amplification & Speakers — Built-in stereo amplifiers; dual internal loudspeakers; output power sufficient for monitoring/room filling (typically 3–6 W per channel).

  • Inputs —Microphone: low-level (~0.2 mV).
    Radio/line/phono: higher level (~100–200 mV).
    DIN-style connectors standard.

  • Outputs —Line out: ~1 V / 20–50 kΩ.
    Headphones (monitor).
    External speakers or amp.
    DIN-style.

  • Features —Twin illuminated VU meters (needle type; active for record/playback).
    Off-tape monitoring (source/tape switch).
    Pause function.
    Portable/tabletop design with lid/handle; vertical/horizontal orientation possible.

  • Power — AC mains (multi-voltage switchable, e.g., 110–240 V); consumption ~70–100 W.

  • Build & Dimensions — Tabletop case (often silver/grey with wood accents); approx. 450 × 350 × 190 mm (17.7 × 13.8 × 7.5 inches); weight ~11–13 kg.

  • Manufacturing — Germany (Telefunken/AEG-Telefunken).


Performance & Legacy Context


The Magnetophon M250 was among AEG-Telefunken's most capable consumer open-reel decks in the early 1970s—offering three-head monitoring, three-motor stability, three speeds (including usable 7½ ips for music), and integrated stereo amp/speakers for convenience. It delivered clear stereo imaging, good dynamics, low noise, and respectable extension at higher speeds when aligned and used with quality tape. The transistorized design provided excellent reliability and low background noise compared to tube predecessors.


Common issues today: Belt/idler degradation (goo/melting—multiple belts need replacement kits), dried electrolytic capacitors, transistor aging, dirty heads (3-head alignment critical), worn idler tires/clutches, and mechanical adjustments. Restorations are common and highly effective—many examples perform exceptionally well post-service. Service/user manuals available (HiFi Engine, Elektrotanya—includes schematics and alignment; German/English versions).

Compared to siblings:

  • Magnetophon M207 — Very similar (often considered predecessor or close variant; M250 may have minor refinements in electronics or cosmetics).

  • Magnetophon M203/M205/M212 — Lower-range models (often 2-head or fewer speeds).

  • Magnetophon 300 series — Later or parallel models with further improvements.

  • M250 — Mid-to-high-range consumer portable with 3-head, three-motor, three-speed stereo focus.

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