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Akai 44s

Akai

Japan

Akai 44s

Tape Deck Details

Number of Motors

Number of Heads

Head Configuration

Wow & Flutter

Signal-to-Noise [dB]

Dimensions [mm]

Weight [kg]

Year built

Head Composition

Equalization

Frequency Response

Speed

3¾, 7½

Max Reel [inch]

Tracks

1/4 Rec/PB

Price

Additional Information

The Akai 44S is a reel-to-reel tape recorder known as a "Convert-A-Deck," meaning it can be used as either a tape recorder or just a tape deck with a simple setting change. It is a 4-track, 2-channel stereo/monaural system with the following technical features:

  • Heads: 1 record head, 1 playback head, 1 erase head

  • Tape Speeds: Supports 3 3/4 and 7 1/2 inches per second (ips)

  • Reel Size: Up to 7 inches

  • Frequency Response: Approximately 30 Hz to 22 kHz (at 7 1/2 ips)

  • Wow and Flutter: Around 0.15% at 7 1/2 ips

  • Signal to Noise Ratio: Around 50 dB

  • Total Harmonic Distortion (THD): About 1.5%

  • Crosstalk: 50 dB

  • Inputs: Microphone (0.4 mV), Line (60 mV)

  • Outputs: Line output (1.23 V), Headphone jack

  • Motor: One 4-pole induction motor

  • Controls: Instant dual monitoring, pause control, automatic shutoff, output level control, VU meters

  • Size: Approximately 16.3" x 7.65" x 14"

  • Weight: ~30.2 lbs

The Akai 44S was designed for consumer to semi-professional use, offering a versatile tape deck with convenient user features like the pause control and automatic shutoff. Its performance in terms of frequency response and signal-to-noise ratio is good for its class, though wow and flutter is a bit higher than higher-end professional units.

This deck stands out for being a convertible system, allowing simple changes between tape recorder and tape deck functions. It has the typical 3-head configuration for versatile recording and playback options.

Overall, the Akai 44S is a solid, vintage-style reel-to-reel tape deck for enthusiasts and collectors looking for classic analog tape operation with user-friendly features and respectable sound quality for its era.

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