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Akai GX-635D

Akai

Japan

Akai GX-635D

Tape Deck Details

Number of Motors

3

Number of Heads

6

Head Configuration

Stereo

Wow & Flutter

0.03

Signal-to-Noise [dB]

62

Dimensions [mm]

483 x 440 x 256

Weight [kg]

21

Year built

1979 -1983

Head Composition

Glass/Ferrite

Equalization

NAB

Frequency Response

0 Hz to 27 kHz at 7½ ips

Speed

3¾, 7½

Max Reel [inch]

10.5

Tracks

$1000

1/4 Rec/PB+1/2PB

Price

Additional Information

  • Track System: 4-track, 2-channel stereo/monaural system with auto reverse function

  • Heads: 6 heads total — 2 record GX heads, 2 playback GX heads, and 2 erase heads, all made with high-quality glass crystal ferrite for durability and sound fidelity

  • Motors: 3 motors — 2 reel drive motors and 1 direct drive AC servo capstan motor

  • Maximum Reel Size: 10.5 inches

  • Tape Speeds: Three speeds — 3¾, 7½, and 15 inches per second

  • Frequency Response: 30 Hz to 27 kHz at 7½ ips speed

  • Wow and Flutter: 0.04% at 3¾ ips, 0.03% at 7½ ips

  • Signal-to-Noise Ratio: Better than 62 dB

  • Total Harmonic Distortion: Approximately 0.5%

  • Crosstalk: 40 dB

  • Inputs: 70 mV (line), 2 mV (DIN), 0.25 mV (mic)

  • Outputs: 0.775 V line, 0.3 V DIN, headphone output

  • Digital Real-Time Counter: 99 minutes 59 seconds with programmable timer functions for automated recording

  • Pitch Control: ±6% speed change for creative playback or recording adjustments

  • Dimensions: Approximately 440 mm (W) x 483 mm (H) x 256 mm (D)

  • Weight: 21 kg (46.4 lbs)

  • Features: IC logic-controlled tape transport functions with feather-touch buttons, electronic brake, auto stop/play/reverse, multi-directional recording capability, and timer-controlled operations.

  • Manufactured between 1979 and 1983, representing a mid- to high-end model in Akai's consumer reel-to-reel tape recorder line.

The GX-635D was well-regarded for its precision tape transport system, robust construction, and advanced features such as auto reverse and digital timers, making it popular among audiophiles and semi-professional users.

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