
Ampex 300
Ampex
USA

Tape Deck Details
Number of Motors
3
Number of Heads
3
Head Configuration
Stereo
Wow & Flutter
0.1% RMS at 15 ips
Signal-to-Noise [dB]
70
Dimensions [mm]
Weight [kg]
55
Year built
1949
Head Composition
Permalloy
Equalization
NAB
Frequency Response
30-15kHz at 15 ips
Speed
7½, 15
Max Reel [inch]
10.5
Tracks
$1600
1/2 Rec/PB
Price
Additional Information
The Ampex 300 reel-to-reel tape deck, produced mainly during the early 1950s, is a professional-grade magnetic tape recorder notable for its mechanical precision and audio fidelity. It was designed with a monaural track system and supported two tape speeds: 7½ and 15 inches per second (ips), catering to both broadcast and high-fidelity studio recording needs.
Technically, the Ampex 300 uses 10.5-inch reels and ¼-inch tape, with tape loaded so that the oxide-coated side faces inward. The machine incorporates robust tube electronics, and its wow and flutter—mechanical speed variations that affect sound quality—measure impressively low at around 0.1% RMS at 15 ips, making it nearly inaudible during playback.
Key features include:
Three heads made of permalloy, arranged for stereo operation despite the monaural track system, allowing quality recording and playback.
Precision alignment of multi-channel heads for phase coherence and easy tape interchangeability across machines.
High signal-to-noise ratio of about 70 dB, good frequency response from roughly 30 Hz to 15 kHz at 15 ips, delivering sound fidelity well suited for professional use.
The transport mechanism features three heavy-duty motors for capstan, take-up, and rewind functions, aimed at eliminating flutter and wow, with fast start and stop times for studio efficiency.
The unit comes in several configurations, ranging from single to multi-channel versions (up to eight channels), with optional Sel-Sync for sound-on-sound effects and editing.
The machine was highly modular with separate electronic and mechanical assemblies, supporting both portability and console-mounted arrangements.
Historically, the Ampex 300 was a key step after the Model 200A, improving head design for better interchangeability and cost efficiency, with production starting around 1949. It set standards in broadcast and studio tape recording, solidifying Ampex's dominance in professional tape recording technology through the 1950s.
In summary, the Ampex 300 combined advanced mechanical precision with well-engineered electronics to deliver studio-quality reel-to-reel recording with low noise and distortion, supporting various professional audio applications with a flexible, modular design.