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Ampex 612

Ampex

USA

Ampex 612

Tape Deck Details

Number of Motors

1

Number of Heads

2

Head Configuration

Full-track-mono

Wow & Flutter

0.25%

Signal-to-Noise [dB]

55

Dimensions [mm]

Weight [kg]

Year built

1955 - 1958

Head Composition

Permalloy

Equalization

NAB

Frequency Response

40 Hz to 15 kHz

Speed

Max Reel [inch]

7

Tracks

$400

1/2 Rec/PB

Price

User

Consumer

Additional Information

The Ampex 612 is a vintage tube-based reel-to-reel tape deck introduced in the mid-1950s (circa 1955-1958). It was primarily a stereo playback-only unit, officially known as the “Model 612 Stereo Tape Phonograph,” although that term is a bit misleading since it is a tape deck. It was designed to be used alongside external amplifier-speakers, such as the Ampex 620 models.


Key technical features include playback of half-track stereo tape on 1/4-inch (0.5 inch) tape width, with one pair of heads (Permalloy construction) optimized for full-track mono or two-track stereo. The deck supports a tape speed of 7½ ips (inches per second) and a maximum reel size of 7 inches. Its frequency response ranges from 40 Hz to 15 kHz, making it suitable for good quality stereo playback for its era. The wow and flutter specification is below 0.25%, reflecting a stable and reliable tape transport.


As an early consumer stereo playback deck, the Ampex 612 lacked recording capability, which limited its popularity despite its high-quality sound reproduction for the time. It was priced around $400, which was considered expensive in 1955. This model quickly gave way to the later Ampex A121, which included recording functionality.


The unit has RCA output connectors and operates on 110-120V AC power. Mechanically, it was built with the reliability expected from Ampex, supporting heavy reels and featuring stable tape transport for smooth playback. The 612 was available as a chassis only, in a portable case, or built into a furniture-style cabinet.

In summary, the Ampex 612 is a tube-based, half-track stereo reel-to-reel tape deck designed predominantly for high-quality tape playback, notable for its stable tape transport and solid frequency response, but limited by its lack of recording capability and relatively high price at release.

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