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Ampro 758

Ampro

USA

Ampro 758

Tape Deck Details

Number of Motors

1

Number of Heads

2

Head Configuration

Full-track-mono

Wow & Flutter

0.4%

Signal-to-Noise [dB]

45

Dimensions [mm]

Weight [kg]

16

Year built

Head Composition

Permalloy

Equalization

Frequency Response

50–13,000 Hz

Speed

3¾, 7½

Max Reel [inch]

7

Tracks

1/2 Rec/PB

Price

User

Consumer

Additional Information

The Ampro 758 is a late-1950s/early-1960s Ampro machine that represents the company’s final, more “hi-fi-leaning” generation of mono tape recorders before stereo and transistorized designs took over.


Type: Portable reel-to-reel tape recorder

  • Electronics: Vacuum tube (valve-based)

  • Positioning: Upper-end consumer / semi-professional mono recorder

This model builds directly on the 757, with incremental improvements in stability, audio response, and usability.



Tape transport and format

  • Tape width: ¼-inch

  • Track format: Half-track mono (two recording sides)

  • Heads: 2-head configuration (erase + combined record/playback)

  • Maximum reel size: 7-inch

The transport is mechanically similar to the 757 but generally refined for smoother tape handling and slightly lower flutter.



Tape speeds

  • 3¾ ips (9.5 cm/s) — long-duration recording

  • 7½ ips (19 cm/s) — higher fidelity

The inclusion of 7½ ips places it firmly in the “hi-fi capable” category for its time.



Audio performance

Typical figures for the Ampro 758 class:

  • Frequency response:3¾ ips: ~50–8,000 Hz
    7½ ips: ~50–13,000 Hz

  • Signal-to-noise ratio: ~45–50 dB

  • Wow & flutter: ~0.3–0.4%

Compared to earlier Ampro machines:

  • Better high-frequency extension

  • Slightly improved noise performance

  • More stable pitch due to refined transport


Amplifier and electronics

  • All-tube amplifier design (multi-stage, including preamp and power output tubes)

  • Output power: roughly 6–10 watts

  • Integrated speaker system: internal full-range speaker, often with provision for external speaker

  • Tone controls: basic equalization (bass/treble)

Like other Ampro units, the 758 is self-contained, requiring no external amplifier for playback.



Controls and features

Transport system

  • Push-button control (mechanical with electrical assistance)

  • Standard functions: play, record, stop, rewind, fast forward

  • Interlock mechanism to protect tape and heads

Recording features

  • Magic eye tube level indicator

  • Manual recording level control

  • Record safety lockout

Monitoring

  • No true off-tape monitoring (2-head design limitation)

  • Monitoring through amplifier path

Connectivity

  • Microphone input

  • Line/radio/phono input

  • External speaker output

  • Auxiliary output for connection to other audio systems

This allows use in:

  • Home recording

  • Radio program capture

  • Basic music recording

Mechanical design

  • Capstan + flywheel drive system for speed stability

  • Idler/belt-driven reel system

  • Heavy portable cabinet (suitcase or tabletop form factor)

  • Weight typically around 16–18 kg

Build quality is robust, consistent with Ampro’s reputation for durable equipment.



Technical significance

The Ampro 758 represents:

  • One of the last refined mono tube tape recorders from Ampro

  • A near-peak of their consumer tape technology

  • A design that approaches hi-fi performance but stops short of:Stereo recording
    3-head monitoring
    Transistor electronics

It sits just before the industry-wide shift to stereo reel-to-reel decks in the 1960s.



Strengths

  • Improved frequency response (especially at 7½ ips)

  • Stable transport with reduced wow/flutter

  • Solid, reliable tube electronics

  • Fully self-contained system

  • Good versatility for home audio use


Limitations

  • Mono only

  • 2-head design limits recording precision and monitoring

  • Still moderate noise compared to later hi-fi decks

  • Bulky and heavy


Bottom line

The Ampro 758 is essentially a refined evolution of the 757, offering:

  • Slightly better fidelity

  • Improved mechanical stability

  • Mature late-1950s design

It represents the end of the line for Ampro’s mono reel-to-reel recorders, just before stereo, multi-head, and solid-state machines redefined tape recording in the 1960s.

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