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Amroh Handysound Master

Amroh

Netherlands

Amroh Handysound Master

Tape Deck Details

Number of Motors

1

Number of Heads

2

Head Configuration

Wow & Flutter

0.6%

Signal-to-Noise [dB]

40

Dimensions [mm]

Weight [kg]

12

Year built

late 1950s–early 1960s

Head Composition

Permalloy

Equalization

Frequency Response

80 Hz – 7–8 kHz

Speed

1⅞, 3¾

Max Reel [inch]

5

Tracks

1/2 Rec/PB

Price

User

Consumer

Additional Information

The Amroh Handysound Master is a lesser-known European portable reel-to-reel machine from the late 1950s to early 1960s, positioned as a compact, consumer-friendly recorder rather than a high-end hi-fi deck.


  • Production period: ~late 1950s–early 1960s

  • Type: Portable reel-to-reel tape recorder

  • Electronics: Vacuum tube (valve-based)

  • Market: Entry-level to mid-range consumer

Amroh machines were typically sold in Europe (notably Germany and surrounding markets) and often emphasized portability and simplicity.



Tape transport and format

  • Tape width: ¼-inch

  • Track format: Likely half-track mono (standard for European consumer decks of the time)

  • Heads: 2-head system (erase + combined record/playback)

  • Maximum reel size: Typically 5-inch or 7-inch depending on version

The transport design is relatively simple, prioritizing reliability over precision.



Tape speeds

Common configurations for this model class:

  • 3¾ ips (9.5 cm/s) — primary recording speed

  • Some versions may include 1⅞ ips (4.75 cm/s) for extended recording time

Unlike more advanced machines, 7½ ips is often absent, limiting high-fidelity performance.



Audio performance

Typical expected performance:

  • Frequency response:1⅞ ips: ~100 Hz – 4–5 kHz
    3¾ ips: ~80 Hz – 7–8 kHz

  • Signal-to-noise ratio: ~40 dB

  • Wow & flutter: ~0.4–0.6%

Interpretation:
Designed primarily for:

  • Voice recording

  • Home use

  • Casual music playback

Not intended for serious hi-fi recording.



Amplifier and electronics

  • Vacuum tube amplifier (usually 3–5 tubes)

  • Output power: approximately 2–4 watts

  • Built-in speaker: small full-range speaker

  • Tone control: basic (often single control or none)

The amplifier is modest, optimized for portability rather than power or fidelity.



Controls and features

Transport controls

  • Mechanical push-button or lever operation

  • Functions: play, record, stop, rewind, fast forward

  • Simpler and less refined than solenoid-controlled systems

Recording features

  • Basic recording level control

  • Some versions include a magic eye indicator, though not always

Monitoring

  • No off-tape monitoring (2-head design)

Connectivity

  • Microphone input (often supplied with a basic mic)

  • Radio/phono input (DIN connector common in Europe)

  • Headphone or external speaker output (model dependent)

Mechanical design

  • Drive system: belt and idler wheel transport

  • Capstan: basic flywheel stabilization

  • Cabinet: compact suitcase-style portable

  • Weight: typically 8–12 kg (lighter than many American counterparts)

Designed for easy transport and casual use rather than studio durability.



Technical context

The Handysound Master fits into a broader category of:

  • European portable tape recorders

  • Late 1950s entry-level machines

  • Pre-stereo consumer audio equipment

Compared to American machines like those from Ampro Corporation:

  • Smaller and lighter

  • Lower output power

  • More focused on affordability and portability

Strengths

  • Compact and portable

  • Simple, user-friendly operation

  • Adequate for speech and everyday recording

  • Lower power consumption

Limitations

  • Mono only

  • Limited frequency response

  • No high-speed (7½ ips) mode on most versions

  • Modest build and audio performance

  • Minimal monitoring capability


Bottom line


The Amroh Handysound Master is a basic portable mono reel-to-reel recorder, designed for everyday home use in Europe during the late 1950s–early 1960s.

It offers:

  • Simplicity and portability

  • Functional recording capability

  • Modest audio performance

Historically, it represents the accessible, entry-level side of early tape recording, in contrast to the more advanced hi-fi machines that would emerge in the 1960s.

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