
Bang & Olufsen Beocord 507 K
Bang & Olufsen
Denmark

Tape Deck Details
Number of Motors
1
Number of Heads
2
Head Configuration
Full-Track-Mono
Wow & Flutter
Signal-to-Noise [dB]
55
Dimensions [mm]
Weight [kg]
Year built
Head Composition
Permalloy
Equalization
IEC
Frequency Response
50 Hz–8 kHz
Speed
3¾
Max Reel [inch]
7
Tracks
1/2 Rec/PB
Price
Additional Information
The Beocord 507 K is one of Bang & Olufsen’s very early post‑war tape recorders (around 1951), essentially a combined tape deck plus amplifier in the “Grand Prix 507K” family, aimed at domestic use rather than studio work.
Basic format and electronics
Concept: Dedicated BeoCord tape recorder section built into, or designed to partner, the tube‑based Grand Prix 507K radio chassis.
Amplification: Valve (tube) electronics using about seven valves in the host chassis (UCH21, UBF80, UAF42, UM4, UBL21, etc.), giving it a classic early‑1950s sound signature with modest power output.
Dynamics/noise: Listed “dynamics” around 55 dB, typical of early tape technology well before Dolby or high‑output tape formulations.
Tape transport and performance
Speed: A single domestic speed (typically around 9.5 cm/s / 3¾ ips) optimised for speech and general home recording, not wide‑band mastering.
Frequency response: Approximately 50 Hz–8 kHz, which matches early paper‑oxide tape and simple head design; more than adequate for speech, but clearly limited vs. later hi‑fi standards.
Power consumption: Around 85 W in general use, 100 W when recording, and up to 120 W in reverse/rewind mode, reflecting a sizeable mains transformer and tube heaters.
Connectivity and use
Speaker connection: Provision for an external speaker of about 3.5 Ω, in addition to the main loudspeaker system in the associated radio/console.
Intended role: Part of a larger “Grand Prix” style domestic system – record radio programmes, family events, and occasional music, then play them back through the built‑in tube amplifier and speaker.
Practical and collector notes
Sonic character: Warm, bandwidth‑limited, and noisy by modern standards, but with the distinctive tube coloration many collectors enjoy for period material.
Restoration: Almost any surviving example will need full service – capacitors, rubber parts, and mechanical lubrication – but once restored it is an excellent historical piece showing B&O’s very early approach to tape.