
Braun TG-60
Braun
Germany

Tape Deck Details
Number of Motors
3
Number of Heads
3
Head Configuration
Stereo
Wow & Flutter
0.05%
Signal-to-Noise [dB]
55
Dimensions [mm]
420 × 280 × 157
Weight [kg]
19
Year built
1966
Head Composition
Permalloy
Equalization
NAB/IEC
Frequency Response
30 Hz – 20 kHz
Speed
3¾, 7½
Max Reel [inch]
7
Tracks
1/4 Rec/PB
Price
User
Consumer
Additional Information
The Braun TG-60 is a mid‑1960s, 3‑motor, 3‑head, solid‑state, half‑track stereo consumer machine that was engineered to approach small‑studio performance in a compact Dieter Rams chassis.
Basic machine concept
Introduced around 1965–1966, manufactured in Germany until the late 1960s.
Solid‑state electronics; no tubes, which allowed the low, flat “audio 2” form factor and wall‑mount option.
Designed by Dieter Rams, with engineering by Wolfgang Hasselbach as part of Braun’s modular hi‑fi line (TS 45, L 450 etc.).
Market positioning: home hi‑fi deck but specified to meet “professional quality” expectations of smaller studio equipment.
Transport and mechanics
Tape speeds: 9.5 and 19 cm/s (3 3/4 and 7 1/2 ips).
Reel size: up to 18 cm / 7 inch.
Transport: 3‑motor drive (two asynchronous reel motors plus a capstan motor) for reduced wow and flutter and fast wind.
Fast wind: quoted example of 540 m of long‑play tape in about 72 seconds, so very brisk for a domestic deck of the time.
Controlled tape tension and mechanical tape‑end switches to protect tape and mechanism.
Push‑button logic transport; the mechanical keys actuate micro‑switches and relays rather than purely mechanical linkages.
Removable Plexiglas dust cover; total size around 420 × 280 × 157 mm (W × H × D) with cover, weight roughly 19 kg.
Heads, format and electronics
Track format: 2‑track (half‑track) stereo record/playback on 1/4‑inch tape.
Head system: 3 separate heads (erase, record, playback) with permalloy, in a stereo configuration, allowing off‑tape monitoring.
Head style: professional‑type ring heads; documentation also mentions the original idea for interchangeable headblocks (e.g. 4‑track option), though that was not marketed widely.
Equalization: IEC / NAB style; for 19 cm/s the recording EQ is quoted as NARTB with 3180 µs and 70 µs time constants, and for 9.5 cm/s 3180 µs and 120 µs.
Electronics are fully transistorized, with a dedicated record amplifier chain: input switch, high‑headroom input stage, level control, then a three‑stage EQ amplifier section feeding the record head.
Nominal calibration for Braun/BASF TB 631 tape; at 19 cm/s an 18 cm reel yields about 45 minutes of stereo playback.
Audio performance
Frequency response at 19 cm/s: approximately 20 Hz to 16 kHz (DIN conditions).
Erase attenuation specified better than 70 dB according to DIN 45500.
Contemporary sources rate sound quality roughly “mid hi‑fi” (around 6/10 in enthusiast databases) and long‑term reliability about 7/10, reflecting both the strong mechanics and age‑related service needs.
Connectivity, power and system integration
Line outputs via RCA and DIN connectors, intended to integrate with Braun amplifiers and receivers of the audio 1/2 and TS 45 families.
Nominal mains voltage: 220–240 V AC (continental European market focus).
Physically and visually designed as part of a wall‑mount system with TS 45 tuner/control unit and L 450 loudspeakers, using additional hanging plates for clean integration.