
Denon DN-360RG
Denon
Japan

Tape Deck Details
Number of Motors
3
Number of Heads
3
Head Configuration
Stereo
Wow & Flutter
0.04–0.06%
Signal-to-Noise [dB]
65
Dimensions [mm]
640 × 1040 × 750
Weight [kg]
85
Year built
late 1970s to early 1980s
Head Composition
Permalloy
Equalization
NAB
Frequency Response
30 Hz – 18,000 Hz
Speed
7½, 15
Max Reel [inch]
10.5
Tracks
1/2Rec/PB
Price
Additional Information
The Denon DN-360RG (sometimes listed as DN-3602R in auction and collector listings) is a professional studio-grade open-reel tape recorder from the late 1970s to early 1980s, manufactured by Denon (Nippon Columbia Co., Ltd., Japan). It was designed for broadcast, mastering, and professional studio applications rather than consumer hi-fi, featuring a massive, heavy-duty construction with 10-inch (or 10.5-inch) reel compatibility, direct-drive transport, and robust tape handling suitable for continuous operation in demanding environments.
This model is extremely rare today, appearing almost exclusively in Japanese auction and vintage audio sales (e.g., HiFi-Do, Yahoo Auctions Japan). It is not a common consumer deck like the DH series (DH-510, DH-610S, DH-710F) but part of Denon's professional/broadcast line (DN-series).
Key Technical Specifications
Recording/Playback System — 2-track (half-track) stereo (primary professional configuration); mono compatible; high-headroom recording suitable for mastering/broadcast; no auto-reverse.
Tape Speeds — Professional speeds:7½ ips (19 cm/s)
15 ips (38 cm/s) (Optimized for maximum fidelity and headroom in studio use.)
Reel Size — Up to 10 inches (or 10.5 inches NAB hubs in some descriptions); supports large professional reels for extended uninterrupted recording.
Frequency Response — Broadcast/studio-grade (typical for Denon pro line of the era):At 15 ips: 30 Hz – 20,000 Hz (±2 dB or better)
At 7½ ips: 30 Hz – 18,000 Hz Excellent extension and flat response with low-phase distortion.
Wow & Flutter — Very low (typical for Denon direct-drive pro decks of the period): <0.04–0.06% WRMS at 15 ips (outstanding stability).
Signal-to-Noise Ratio — >60–65 dB (high for professional transistor era with low-noise tape; excellent headroom).
Heads — 3 heads (separate record, playback, and erase; high-quality permalloy or ferrite construction for long life and low distortion).
Drive System — Direct-drive capstan + reel motors (typically three-motor system); electronic servo tension control; robust mechanical transport with air damping or precision braking; fast wind/rewind suitable for large reels.
Electronics — Fully transistorized; professional-grade amplifiers; NAB/IEC equalization switchable; high-headroom recording circuitry.
Inputs — Balanced professional line-level (XLR or Cannon connectors common in broadcast models); microphone inputs (low-level, high-impedance).
Outputs — Balanced line out (XLR); monitor/headphone out; possibly cue send for broadcast.
Features —Twin professional VU meters (large, illuminated).
Electronic or relay logic transport controls.
Off-tape monitoring.
High-speed cue/review.
Designed for rack or console mounting (large floor-standing or console form factor).
Power — AC mains (100 V Japan standard; multi-voltage export variants); high consumption (professional-grade power supply).
Build & Dimensions — Massive professional console/studio chassis; approximate size ~640 × 1040 × 750 mm (W×H×D) in some listings; weight ~80–85 kg (extremely heavy due to motors, transformers, and chassis).
Manufacturing — Japan (Denon/Nippon Columbia); professional/broadcast line.
Performance & Legacy Context
The DN-360RG was a true studio workhorse—built for continuous duty in broadcast stations, mastering facilities, or post-production with exceptional tape handling, low wow/flutter, wide bandwidth, and high headroom. It delivered clean, professional sound with excellent dynamics and low noise at 15 ips, making it suitable for critical mastering or archiving. The direct-drive system and robust construction ensured gentle tape handling and long-term reliability.
Surviving examples are extremely rare and appear mostly in Japanese vintage auctions (often sold "as-is" or needing restoration). They are prized by collectors of Japanese pro audio gear (comparable to Sony TC-800GL, Technics RS-1700, or Otari MX-5050 in role but rarer). Restorations are complex due to size, weight, and professional-grade components (caps, relays, motors).
Common issues today: Dried electrolytic capacitors, transistor aging, dirty heads (3-head alignment critical), worn idler tires/clutches, belt degradation (if any belts used), and mechanical wear on large transport parts. Service manuals are scarce (mostly Japanese originals; no widespread HiFi Engine coverage for this pro model).
Compared to Denon consumer siblings:
DH-710F/DH-610S — Similar era high-end consumer (15 ips, 3-head, but smaller 7–10.5" reels, less massive).
DN-360RG — Professional/broadcast "big brother" with larger reels, heavier chassis, and studio focus.