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Denon DN-86R

Denon

Japan

Denon DN-86R

Tape Deck Details

Number of Motors

3

Number of Heads

3

Head Configuration

Stereo

Wow & Flutter

0.025%

Signal-to-Noise [dB]

60

Dimensions [mm]

450–500 × 300

Weight [kg]

25

Year built

Head Composition

Permalloy

Equalization

NAB

Frequency Response

30 Hz – 20,000 Hz

Speed

7½, 15

Max Reel [inch]

10.5

Tracks

1/2 Rec/PB

Price

Additional Information

The Denon DN-86R (including variants like DN-86R-N or DN-86R-T) is a late 1970s professional broadcast/studio reel-to-reel tape recorder/reproducer, produced approximately 1978–1982 (manufactured in Japan by Nippon Columbia/Denon). It was part of Denon's DN-series pro line, designed for radio stations, mastering, archiving, and on-air use—emphasizing reliability, calibration ease, level adjustment flexibility, and "one-class" recording/reproduction quality. The DN-86R is noted for its 2-track (half-track) stereo configuration (some units dedicated to 19 cm/s repro), direct-drive capstan (no belt for capstan in some descriptions), and pro-oriented portability.


This model is extremely rare today, appearing mostly in Japanese vintage auctions and collector videos as "局用ポータブルデッキ" (broadcast portable deck). It is valued for its professional usability and sound when serviced, often compared favorably to Nagra or Studer equivalents in Japanese pro circles.



Key Technical Specifications


Recording/Playback System — 2-track (half-track) stereo/mono (2-channel); dedicated to high-fidelity reproduction in many units (repro-focused with excellent calibration); sound-on-sound/multiplay possible; no auto-reverse.

  • Tape Speeds — Primarily 19 cm/s (7½ ips) dedicated (some units optimized for this speed; pro standard for broadcast fidelity).

  • Reel Size — Up to 10 inches (or 10.5 inches NAB hubs in pro configs; supports large reels for extended sessions).

  • Frequency Response (approximate, typical for Denon pro line):At 19 cm/s: 30 Hz – 20,000 Hz (±2 dB or better; some claims up to 25 kHz) Broadcast-grade flat response with strong highs.

  • Wow & Flutter — 0.025% at 19 cm/s (very low; direct-drive capstan contributes to stability).

  • Signal-to-Noise Ratio — >60 dB (high for professional transistor era with low-noise tape).

  • Heads — 3 heads: separate record, playback, and erase (high-quality permalloy/ferrite; optimized for pro repro in some configs).

  • Drive SystemDirect-drive capstan (no belt for capstan in many units) + reel motors (likely three-motor system); electronic servo tension; robust portable transport; fast wind/rewind suitable for large reels.

  • Electronics — Fully transistorized; professional-grade amplifiers; NAB/IEC equalization; high-headroom circuitry.

  • Inputs/Outputs — Balanced professional line-level (XLR or Cannon typical in broadcast); microphone inputs; monitor/headphone out; cue send possible.

  • Features —Twin professional VU meters (large, illuminated).
    Electronic or relay logic transport.
    Off-tape monitoring.
    High-speed cue/review.
    Portable broadcast design (compact for field/studio use).

  • Power — AC mains (100 V Japan standard; multi-voltage variants); high consumption (professional power supply).

  • Build & Dimensions — Compact portable pro chassis; approximate size ~450–500 × 300–400 × 200–300 mm (estimated from similar DN-series); weight ~15–25 kg (robust for broadcast portability).

  • Manufacturing — Japan (Denon pro line).


Performance & Legacy Context


The DN-86R was a broadcast portable workhorse—built for continuous duty with outstanding stability (0.025% wow/flutter), calibration ease, level adjustment flexibility, and "one-class" sound (thick/dense reproduction praised in demos). It excelled for on-air playback, archiving, or field recording, with pro usability (e.g., quick calibration for broadcast). The direct-drive capstan and robust construction ensured gentle tape handling and long-term reliability.


Surviving examples are very rare (mostly Japanese auctions/videos, often repro-only units). Collectors value its pro sound and build when restored.


Common issues today: Dried electrolytic capacitors, transistor aging, dirty heads (3-head alignment critical), worn idler tires/clutches, belt degradation (if belts used), and mechanical wear. Restorations complex; manuals scarce (Japanese originals; limited English coverage).

Compared to Denon models:

  • DN-86R — Pro portable broadcast (19 cm/s focus, repro emphasis).

  • DH-710F/DH-610S — Consumer high-end (15 ips, 3-head, smaller reels).

  • DN-85R/DN-85RT — Related pro series (full-track mono variants).

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