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Grundig TK 140

Grundig

Germany

Grundig TK 140

Tape Deck Details

Number of Motors

1

Number of Heads

2

Head Configuration

Full-track-mono

Wow & Flutter

0.2%

Signal-to-Noise [dB]

45

Dimensions [mm]

400 × 180 × 290

Weight [kg]

8

Year built

1966-1969

Head Composition

Permalloy

Equalization

IEC

Frequency Response

40 Hz – 12.5 kHz

Speed

Max Reel [inch]

7

Tracks

1/4 Rec/PB

Price

User

Consumer

Additional Information

The Grundig TK 140 (also known as TK140 or TK 140 de Luxe in some markets) is a late-1960s open-reel (reel-to-reel) tape recorder produced by Grundig Radio-Vertrieb in Fürth, Germany. Manufactured primarily from 1966 to 1969, it was an entry-to-mid-range mono domestic machine aimed at casual home users, students, and hobbyists. It was part of Grundig's budget-oriented late-1960s TK series, featuring quarter-track mono recording for extended playtime on standard reels, push-button controls, and a simple solid-state design.


The TK 140 was priced originally around £40–50 in export markets (equivalent to roughly 400–500 DM in Germany), making it one of Grundig's more affordable models. It was valued for its reliability, ease of use, and decent performance for voice, radio dubbing, or basic music recording/playback, though it was not a high-fidelity audiophile machine.



Key Technical Specifications


Track System: 4-track (quarter-track), single-channel monaural (monaural record/playback; records on one quarter-track per pass, allowing four tracks total on standard tape by flipping reels twice)

  • Tape Speeds: Single speed — 9.5 cm/s (3¾ ips / 3.75 inches per second; no multi-speed capability, optimized for domestic runtime and basic fidelity)

  • Reel Size: Maximum 7 inches / 18 cm (often listed as up to 6–7 inches; commonly used with 5–7 inch reels; supports standard NAB/international hubs)

  • Heads: 2 heads — combined record/playback head + erase head (permalloy construction; no separate playback head or off-tape monitoring; quarter-track design requires careful alignment for track compatibility)

  • Motors: 1 motor (capstan drive; single two-pole motor with mechanical reel assistance; reliable induction-type motor typical of late-1960s budget consumer machines)

  • Drive System: Mechanical transport with push-button controls; constant tape speed; foil-sensing automatic stop at tape end; basic tension regulation suitable for standard tape; rewind speed ≈180 seconds for 1200 ft tape

  • Frequency Response: 40 Hz – 12.5 kHz (±3 to –5 dB at 3¾ ips; respectable for a single-speed entry-level mono recorder of the late 1960s, focused on clear voice and light music)

  • Signal-to-Noise Ratio: ≈45–50 dB (typical; modest but adequate for non-professional use)

  • Wow & Flutter: Less than 0.2% (at 3¾ ips; acceptable for domestic use; single-motor designs had tolerable variations)

  • Equalization: CCIR/European standard for the period (some export versions note NARTB compatibility)

  • Inputs:Microphone: Low-level (~2 mV; dynamic mic via DIN or proprietary socket; often supplied external mic)
    Line/Radio: High-level (~80 mV / 2.2 MΩ; via DIN connector; Grundig 5-pin standard)
    Phono/Grammophon: Additional high-level input for record players

  • Outputs: Built-in loudspeaker (elliptical permanent-magnet dynamic type, typically 5¾ × 4¾ inches); line out via DIN socket; output power ≈2.5 watts

  • Power Supply: Alternating Current (AC) mains — 220–240 V (some export versions 110–120 V); power consumption around 55–80 W; no battery option (mains-only domestic/portable hybrid)

  • Dimensions: Approximately 400 × 180 × 290 mm / 15.7 × 7.1 × 11.4 inches (W × H × D) — compact suitcase/portable form factor with handle

  • Weight: Around 8.2 kg / 18 lbs — portable yet substantial due to metal chassis and components

  • Electronics: Fully solid-state (transistor-based; no tubes, marking the shift to transistorization in Grundig's budget line; typically 10–12 transistors)

  • Other Features: Magic eye or VU-style recording level indicator (glow or meter for level monitoring); mechanical tape counter; automatic tape-end stop; pause function; recording time ≈2 hours total (1 hour per direction) on 7-inch reels with standard tape (longer with LP tape)


Design and Performance Notes


The TK 140 was a straightforward, budget-oriented domestic recorder with a focus on simplicity and reliability: push-button controls and the solid-state circuitry delivered a clean, intelligible tone suitable for voice, radio dubbing, or casual music playback/recording, with basic fidelity for its class—modern vintage ratings place it around 5–6/10 for sound (functional mono performer, not audiophile-grade) and 6–7/10 for build reliability/durability (robust but basic).


The drive mechanism was simple and durable, with minimal electronics complexity. Common long-term service needs include:

  • Cleaning heads, capstan, pinch roller, and tape path

  • Replacing rubber drive belts/idlers (common failure point in 1960s solid-state models)

  • Replacing electrolytic capacitors (leakage common after 50+ years)

  • Lubricating mechanisms

  • Checking transistor stages and power supply


Historical Context


The TK 140 was part of Grundig's extended 1960s TK series that transitioned toward more accessible consumer models with solid-state electronics. It followed budget mono machines like the TK 120/TK 125 and preceded later multi-speed/stereo machines (TK 14x, TK 24x, etc.). Surviving examples are collectible today as entry-level vintage pieces, often in good cosmetic condition due to sturdy construction, but most require basic restoration (especially rubber drive components and capacitors) for reliable operation. They represent an accessible entry into vintage solid-state open-reel collecting, especially for those interested in late-1960s German budget audio engineering.

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