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Philips EL3503

Philips

Netherlands

Philips EL3503

Tape Deck Details

Number of Motors

Number of Heads

Head Configuration

Wow & Flutter

Signal-to-Noise [dB]

Dimensions [mm]

Weight [kg]

Year built

Early 1960s

Head Composition

Equalization

Frequency Response

Speed

Max Reel [inch]

Tracks

Price

Additional Information

The Philips EL3503 is a professional stereo reel‑to‑reel recorder from Philips’ early “Pro” series, a development of the EL3501 concept but configured for 2‑channel use and widely associated with facilities like the BBC Radiophonic Workshop.​​



Role and basic configuration

  • Designed as a studio / broadcast‑grade machine rather than a domestic deck, used for music production, effects, and program recording.​

  • True stereo recorder with separate left/right record and playback paths and a flexible mono/stereo head selection system.​


Transport and tape format

  • Uses ¼‑inch tape with a stereo headblock; head selection switches let you choose mono or stereo and which channels/head combinations are active (e.g., channel 1, channel 2, or both).​

  • Offers multiple tape speeds, including 15 ips and 30 ips, with the logic able to change between 15 and 30 inches per second in about one second; the tape‑time counter is calibrated to 7½ ips and so reads differently at higher speeds.​

  • Built for large professional reels (with AEG hubs and 7‑inch spooling platters shown as standard accessories), and can also accommodate NAB‑style adaptors, making it suitable for long program reels.​


Heads, motors, and mechanics

  • Fitted with three ferrite heads: erase, record, and playback. Ferrite construction is described as very hard and durable, chosen to minimize head wear and keep high‑frequency performance stable over long use.​

  • The transport is mechanically complex, with relay‑based logic and solenoid‑driven linkages that route motion through fine cables and levers to handle play, fast‑wind, braking, and tape tension.​

  • Tape tension is applied via a mechanical tension arm operating springs and a felt belt that drags on the hub adaptor, giving controlled back‑tension without electronic servos.​


Controls, logic, and remote operation

  • The deck uses fully logical transport control, with separate buttons for record, playback, stop, and “spool” (fast‑wind). Pressing “spool” gives full rewind and multiple fast‑forward levels, depending on which position is selected.​

  • The logic can be remotely controlled, with a dedicated multi‑pin “remote” connector and interconnect cable, allowing the machine to sit in a rack or machine room while being operated from a control panel.​​


Electronics and audio paths

  • Internally divided into functional modules:
    Bias oscillator section, supplying bias and erase signals.
    Separate left and right record and playback amplifier chains.
    Output section with operator‑adjustable reproduction levels for both channels, plus internal preset trims.​

  • A front‑panel selector allows switching between mono and stereo head operation, and routing which channel(s) are active, enabling flexible use for mono programs or stereo material.​

  • The machine interfaces with outboard preamps/power amps via multi‑pin audio connectors (e.g., 13‑pin DIN‑style connectors) that carry head outputs and possibly control voltages.​​


Physical construction and variants

  • Described as transportable as well as rack‑mount: some units were supplied in a wooden transport case with a compartment under the lid for spooling platters, cables, and accessories.​

  • Internally, the deck carries multiple motors for capstan and reels (similar philosophy to the EL3501), plus a separate logic/relay area; serviceability requires attention to lubrication of cables, pulleys, and solenoid linkages.​


Position in the Philips lineup

  • Part of a small family of Philips professional tape recorders (EL3501, EL3503, EL3505, EL3509, etc.), which are noted as relatively rare compared with Philips’ huge domestic output.​​

  • The EL3503 in particular is remembered for its use in professional studios (the Radiophonic Workshop article explicitly highlights it as an example of a “high‑end pro recorder” few expected from Philips).​

In summary, the EL3503 is a heavy, complex, logic‑controlled, ferrite‑headed stereo studio deck with 15/30 ips capability, remote control, and modular pro electronics—very much a broadcast/workshop machine, not a home recorder.

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