
Sony TC-510 MKII
Sony
Japan

Tape Deck Details
Number of Motors
1
Number of Heads
3
Head Configuration
Stacked/Inline
Wow & Flutter
0.05%
Signal-to-Noise [dB]
64
Dimensions [mm]
Weight [kg]
6.8
Year built
Head Composition
Ferrite
Equalization
NAB
Frequency Response
30-20kHz
Speed
3¾, 7½
Max Reel [inch]
5
Tracks
1/2 Rec/PB
Price
Additional Information
The Sony TC-510 MKII, often referred to by its service manual designation as the Sony TC-510-2, is a highly regarded portable, professional-grade stereo reel-to-reel tape deck from the mid-to-late 1970s (approx. 1976–1980). It was designed to compete with high-end field recorders like Nagra, offering excellent performance in a compact, battery-operable unit.
Track System: 1/2 track (2-track), 2-channel Stereo/Monaural This is a professional feature, using the full tape width for the two stereo channels, resulting in higher fidelity and better signal-to-noise ratio than standard 1/4 -track consumer decks.
Key Specifications
Track system: 2-track stereo (half-track), 3 ferrite heads (record, playback, erase) with SYM PHASE for precise channel alignment.
Speeds: 3 3/4 ips (9.5 cm/s) and 7 1/2 ips (19 cm/s); max 5-inch (13 cm) reels for about 45 minutes at slow speed.
Performance: Frequency response 30-20kHz (normal tape) to 30-27kHz (FeCr) at 19 cm/s; wow/flutter ±0.05% (19 cm/s); S/N 64dB (FeCr, NAB); THD 0.8%.
Drive: Single DC servo capstan motor.
Features and Connectivity
Dolby B noise reduction, 3-position bias selector (low/medium/high), recording limiter, fine speed tuning (±10% at 19 cm/s), and separate record/play amps for monitoring.
Inputs: 2x mic (0.2mV/-72dB), 2x line (60mV/-22dB RCA); outputs: 2x line (0.435V/-5dB RCA), headphones (8Ω).
Power: 8x D-cell batteries, optional NiCd BP-55 pack, or AC-26 adapter (12V); includes shoulder strap.
Tape Bias and EQ Selectors: Features independent 3-step selectors for Bias and Equalization (EQ) to optimize performance for different high-quality tape types: Normal, SLH (Super Low-Noise High-Output), and FeCr (Ferri-Chrome).
FETs in Pre-amplification: The pre-amplifier stages use Field-Effect Transistors (FETs), which contribute to the superior Signal-to-Noise Ratio and excellent frequency response.
Microphone Attenuator: Includes a 2-step attenuator (0 dB and 20 dB) for the microphone inputs, allowing the recorder to handle sudden, high-level sound peaks without distortion—a key feature for field work.
Integrated Speaker and Meter Illumination: It features a small, integrated speaker for basic monitoring and illuminated VU meters with an on/off switch to conserve battery power when working in the field.
Record Limiter: Includes a Record Limiter function to prevent unexpected audio peaks from overloading and distorting the recording, which is another characteristic of professional field recorders.
Reliability Notes
Ferrite heads prove durable with minimal wear, but mechanical issues like cam wear prevent record engagement, and fast rewind can cause loose tape windings requiring careful handling on another machine. Long-term reliability rates 4/10 due to these quirks, though sound quality scores 8/10.
The TC-510-2 is fundamentally a high-quality, compact field recorder disguised as a consumer deck, making it one of Sony's most technically impressive and sought-after portable reel-to-reels.
Conclusion — Who Is TC-510-2 Useful For (Today)
The Sony TC-510-2 remains a historical / vintage-era portable tape recorder that still may be useful for:
Collectors of vintage audio gear.
People interested in analogue, “field-style” stereo recording (or vintage-tape playback) in a compact form.
Archiving or digitizing tapes from the 1970s/80s that were originally recorded on portable tape machines.
Experimenters or hobbyists who appreciate mechanical and analogue sound — especially if willing to service or maintain the unit.
— On the other hand, for modern hi-fi or pro-level work, it’s unlikely to match the fidelity, flexibility or convenience of newer or full-size reel-to-reel decks.