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Sony TC-800B

Sony

Japan

Sony TC-800B

Tape Deck Details

Number of Motors

1

Number of Heads

2

Head Configuration

Half-track mono

Wow & Flutter

0.1%

Signal-to-Noise [dB]

48

Dimensions [mm]

311 x 121 x 260

Weight [kg]

5.4

Year built

1971 - 1975

Head Composition

Permalloy

Equalization

NAB

Frequency Response

30Hz–18kHz

Speed

3¾, 7½

Max Reel [inch]

5

Tracks

1/2 Rec/PB

Price

Additional Information

The Sony TC-800B reel-to-reel tape deck is an incremental update to the original TC-800 model, manufactured in the mid-1960s (circa 1965–1967). The "B" designation typically indicates a minor revision, often related to the internal electronics, chassis, or specific market requirements, but the core technical architecture remained the same as the TC-800.


It was designed as a premium, all-in-one stereo recording and playback system, housed in a portable, suitcase-style unit.


  • Built-in Microphone & Speaker: Yes — includes an electret condenser microphone and a small internal speaker (approx. 1 W output) for quick recording/listening.

  • Power / Portability: Capable of mains or battery/port-power operation — typical of “Tapecorder” class units.


Strengths & Typical Use Cases for TC-800B

  • Portability — small size and light weight (for a reel-to-reel) make it easy to transport compared to rack-mounted hi-fi decks, useful for field recordings, voice notes, interviews, mobile use.

  • Simplicity & Ease of Use — with only basic functions (mono recording/playback), a built-in mic and speaker, and simple controls — good for quick recordings without need for complicated setup.

  • True tape-recorder flexibility — allows using small reels and quick setup/teardown; good for archival voice recordings, casual audio logs, or “on-the-go” tape work.

  • Historical / Vintage Value — as a typical early-1970s portable reel recorder by Sony, TC-800B has collector appeal. It's a snapshot of tape­-recorder technology aimed at portability rather than studio fidelity.


⚠️ Limitations & What to Keep in Mind (Especially Today)

  • Mono only — not stereo: Sound is single-channel, so not suitable for stereo music playback or modern multi-channel recording.

  • Modest audio quality — S/N ~ 48 dB, limited frequency headroom vs modern decks; noise and hiss will be noticeable compared to hi-fi or digital standards.

  • Short tape/recording duration — 5″ reels mean limited recording duration per reel; not ideal for long sessions or music albums.

  • Simpler mechanics / fewer features — only two heads, no high-speed options beyond 7½ ips, no professional transport (single motor), so fidelity and stability are basic.

  • Maintenance & reliability concerns — as with any decades-old tape recorder, belts, motor, heads, and tape mechanism may age or degrade. Sound / playback quality will depend heavily on the condition of the unit and tapes.


What TC-800B Makes Sense For — Use & Relevance Today

The TC-800B is best suited for:

  • Field recordings, voice memos, interviews, or simple analog notes — when you want a portable tape recorder without the bulk of a hi-fi deck.

  • Archival playback / vinyl-era content — if you have small-reel tapes from decades ago, it can play them back in their intended format.

  • Vintage-gear collection or restoration hobby — good for enthusiasts interested in portable reel recorders, classic Sony gear, or analog history.

  • Casual “tape-sound” home experiments — for curious hobbyists interested in analog sound, retro recording techniques, or experimentation with tape medium.

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