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TEAC X-300

TEAC

Japan

TEAC X-300

Tape Deck Details

Number of Motors

3

Number of Heads

3

Head Configuration

Stereo

Wow & Flutter

0.06% at 7.5 ips

Signal-to-Noise [dB]

51

Dimensions [mm]

410 x 326 x 231

Weight [kg]

14

Year built

1983 - 1991

Head Composition

Permalloy

Equalization

NAB

Frequency Response

40Hz to 20kHz at 7.5 ips

Speed

3¾, 7½

Max Reel [inch]

7

Tracks

$580

1/4 Rec/PB

Price

Additional Information

The TEAC X-300 is a solid-state, 4-track, 2-channel stereo reel-to-reel tape deck produced in Japan from 1983 to around 1991. It is a consumer-level deck known for its compact size, reliable performance, and good sound quality for the price.


  • Track System: 4-track, 2-channel stereo

  • Heads: 3 heads — 1 erase, 1 record, 1 playback (Permalloy composition)

  • Motors: 3 motors — 2 reel motors and 1 DC servo capstan motor

  • Tape Speeds: 3¾ ips and 7½ ips

  • Reel Size: Supports 5-inch and 7-inch reels

  • Wow and Flutter: 0.06% (7½ ips)

  • Frequency Response: 40 Hz to 20 kHz (7½ ips)

  • Signal-to-Noise Ratio: 51 dB

  • Total Harmonic Distortion: Approximately 1%

  • Inputs: 60 mV (line), 0.25 mV (mic)

  • Outputs: 0.45 V (line)

  • Dimensions: 410 x 326 x 231 mm

  • Weight: 14 kg

  • Year of Manufacture: 1983–1991

  • Additional Features:
    Front-panel headphone and microphone jacks
    Four-digit tape counter
    Fast forward time: ~102 seconds for 1,800 feet of tape
    Solid build with a compact footprint
    No auto-reverse (auto-reverse available in X-300R variant)

The TEAC X-300 is a well-regarded consumer reel-to-reel tape deck that balances affordability with solid performance. It features a three-head design for simultaneous recording and playback monitoring, and a three-motor transport system for stable tape handling. The frequency response and signal-to-noise ratio are respectable for a consumer deck of its era.

The deck supports standard tape speeds and reel sizes, making it versatile for various recording and playback needs. Its build quality and sound performance made it one of the last popular consumer reel-to-reel decks before the format’s decline in the early 1990s.

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